martes, 23 de junio de 2015

Back Pages - Brown Notebook - Spanish Song



S P A N I S H     S O N G







Ramona's melody
longing for the boots of Spanish leather
Spanish Mary's enigma


Mix in equal parts
and dare to shout it all
in Spanglish

~

Winning a bet in Spain, Nar :

shifting landscapes
+
changing the date of the moment













domingo, 14 de junio de 2015

Caravan (14) End-June 1967







     From inside the caravan, I watch Dylan arrive in a cobalt blue Chevrolet. I tune my Ibáñez again and let a long while pass before heading to the basement. From the top of the steps I listen to them play a couple songs. I gather my strength to begin the descent. I inhale deeply and start to go down, as if submerging. Rick sees me first, he hails smiling before I even get to the bottom.

      - Hey there, Nar! Cool. You brought your guitar.

      Dylan has his back to me. He´s talking to Garth. He takes what seems like forever to turn round and face me.

      - Well, well... the famous Salvador Ibáñez. Turns out these guys were telling the truth after all...

     I lift the instrument in my left hand, holding it out towards him. He does not move, just asks sarcastically,

      - Are you just a collector or do you actually play?

     - Well... I´m not too bad, they say. And yes, I´ve got a few guitars, but this is my favourite. I won a bet, a long time ago, in Spain.

    - Quite a story, I´m sure. You might wanna save it for another day. OK? Now, let´s listen to this Ibáñez. I wanna carry on with the songs we got planned for today – old, mysterious, even tragic... that´s the vibe. Know this one?

     With his twelve-string acoustic he starts strumming a melodic wave ridden by a whaler I know well: Bonnie Ship the Diamond. I respond by joining in and a surprised look fleets across his face. Without a word, he looks at the band, indicating that they should follow suit. One by one they come in with their instruments, except Richard who remains seated in silence at his drums. So intense is the feeling from hearing us together on the deck of that ship that I am about to lose time when Dylan - his voice aflame- gets on to the chorus a second time:

So it's rise up my lads
Let your hearts never fail
When that bonnie ship the Diamond goes
fishin' for the whales

      We finish up and Bob looks at me for a few seconds, his head cocked to one side. Rick smiles, giving me a thumbs up. Standing next to his drums, in silence, Richard takes a photo.

      In the newspapers, and for months now, space ships like flags have been taking off in a race to set foot on the moon. In the basement, just this evening, on board his ship, I have just landed.






sábado, 6 de junio de 2015

Caravan (13) End-June 1967




 
   Rick has come round and announced I can go back down to the basement this evening to hear them play. We´re sitting outside the caravan, on a blanket spread out on the floor. Whilst we drink our coffee he tells me about the traditional Irish and Scottish songs they’re working with along with a few from the vast American repertoire – which includes Canada he emphasizes – and he´s telling me how he flips out adding a bass line to melodies which may be hundreds of years old whilst Dylan tries out arrangements which not everyone finds easy to follow. I let him talk, as if I didn´t already know a large part of what he was telling me just from listening through the open windows of the basement.

      - Sometimes Dylan feels like trying out his 12-string acoustic or letting Richard add random percussion or use his Rickenbacker lap steel, which sounds goddamn good. Oh, by the way, on the subject of guitars, Bob didn´t believe me the other day when I told him you had a Salvador Ibáñez. He thought we had made it up. He said it couldn´t be an original, that if it was, you wouldn´t have it lying around in your caravan which half the time you leave open. And, you know what? When he says stuff like that it makes me think… I can´t imagine him talking like that a couple of years ago. It seems to me that time is making him distrustful, I don´t know…
     - Well, if what you say is true, he must have his reasons, don´t you think?, I say half-respectful half-smiling.
     - I suppose so…

       Rick replies without looking at me. He´s picked off a branch from one of the elm trees, and is drawing something in the damp earth. We join in a reflective silence for a long while until suddenly I hear myself say:

      - Hey! I have an idea! How about I bring my Ibáñez down to the basement this evening?
      - Fucking great! - Rick´s laughter lights up his eyes -, I can´t wait to see Dylan and Robbie’s faces! Got to go, talk later, I need to go down to town to buy some stocks. See you !

      He leaps up and runs off towards one of the cars parked outside the front of the pink house. He´s left the elm stick on the blanket. Next to it, etched in the earth, is a picture of a boat carrying an octahedron, a diamond as big as a whale.





domingo, 24 de mayo de 2015

Present (VIII) Birth-man-day









                                                     Happy birthday, Dylan !
                                              





jueves, 21 de mayo de 2015

Back Pages - Brown Notebook - Time






                                                                            T I M E …

                                                             You can do a lot of things
                                                     that seem to make time stand still …

                                                                             but of course, you know
                                                                                       no one can do that.



N  o  w
I'm invoking that magic
through music,
from a basement.


I  n     t  h  e     f  u  t  u  r  e
I will invoke that same magic again
through images too,
from the movies

:

my own film to stop the time

a monologue before a camera
talking about this
thirty years later.





sábado, 9 de mayo de 2015

Present ( VII )






      I´ve just been trying to remember my conversation with Richard on the night I discovered a new flavour and he made up a new name for me. We´d also shared some secrets and even a couple of surprises like when I told him I´d decided to miss Monterey because just the possibility of being allowed down into the basement was a much bigger thing for me than going to the festival.

      Afterwards, I´ve just been flicking through Dylan´s brown notebook again, re-reading my reflections from the beginning of this journey on losses and goodbyes which the passage of time has woven into a story at times resembling a landscape in ruins. I say to myself there would be something undignified about avoiding the place one writes at. But equally it would be disloyal to let dust dull the gleam of a shared treasure.

      I am lazily tapping out that last sentence – one needs to measure the precise calibre of adjectives as lethal as these- when my computer screen announces that an email has just come in. Sometimes, whatever it is that we call providence comes disguised as half a dozen words:

                            Bob Dylan on Tour : Upcoming Dates“

      I check tour dates and locations, smiling widely now till I realise I´ve been looking out of the window for quite some time. On the other side is the locked door of the garage, and beyond, the caravan that used to shine in the evening sun round the back of Big Pink in the summer of 67.

      I force my gaze back to the screen to look through my files for Lo And Behold! I put on my headphones, turn up the volume ... And then I also count up to thirty.








domingo, 26 de abril de 2015

Caravan (12) Mid-June 1967








      I´ve surfaced from the basement and sat down on the steps of my caravan, trying to digest my experience of the last couple of hours. A huge, yellow moon rises over Overlook, making the mountain appear as an animal lying at its feet.

      My ears still ring with the chords of Waltzing with Sin: played half-way through the session, twice no pauses, and at times – I´m thinking now, didn´t really notice it then- the voice of Dylan had an almost outlandish aplomb for someone who has just turned twenty-six. My eyes have been etched with a series of images of men and instruments assembled in a camaraderie which blots out the outside world. The basement has become through their music a sonic submarine navigating the waters of joy. I´ve spent a couple of hypnotic hours there, and having just emerged – forgive myself my brimming with stressed words- and not having quite caught my breath, I hear Richard´s voice call out behind me.

      - Good evening, Nar. How was the trip today?
      - Hi Richard. It was fabulous. Sad you weren´t there....
     - Well, I stayed upstairs, sleeping, and then went out to the woods, you know, to think about my „Upstairs, Downstairs“ ...
      - Yeah, how are the lyrics coming on?
     - So so. It´s difficult to capture that nebulous image, I was telling you about the other day, in words, you know, Dylan going up and coming down and sometimes apparently suspended between two levels ... He has a way of floating the rest of us can only dream of doing … How about getting that guitar of yours out?
      - Alright. You want something to drink?
      - I´ll go. I´ll get us a bottle and some paper. Back soon.

     Somewhere between unsteady and nimble on his bare feet, he walks over to the house and returns with an amber coloured bottle with a pretty red sash.

     - Here´s the guitar, I say, handing it to him whilst he passes me the bottle.
      - Grand Marnier. You like it?
      - I don´t know, never tried it.
     - Well, from now on you´ll always be in my debt, you´ll see, he says with conviction and more than a little irony, whilst he starts strumming my guitar.

      I go into the caravan and bring out my two best glasses and some ice.

      - Serve it as is, it´s better without.

      So I do. He takes his glass, looks at it for a moment and then lifting it, proposes a toast.

      - To „Nar of the Caravan“, chance visitor to a surreal basement!

      We both laugh before our first sip, which delivers into my mouth the dense and bitter essence of oranges from another world.

      - Fuck, that´s good!, I exclaim in surprise.
     - Told you it would be, you´ll always thank me for it, he says draining his glass, with a smile. And now, listen: „Upstairs, Downstairs“, umpteenth version.

      The five chords of the song I heard a few days ago have been adorned with arpeggios and some changes of rhythm; the text is slowly shaping around a chorus which brings out the bluer shades of his voice. When he finishes, he keeps his eyes on the moon, which has left a narrow gap now over the mountain. I dare not break the silence but pour another drink and wait for him to return. When he does, he lights up a smoke. The flame of the match lights up his bottomless eyes. After a couple of tokes, avoiding comments on the song, he surprises me again with an unexpected turnaround.

      - That thing around your neck, Nar... You were right, it does look like mine, he says pouring himself another glass.

      I need a few seconds to come up with an unequivocal reply that does not sound too rude.

      - I am sorry, but this time it´s me who doesn´t want to talk about it. It´s not the right moment, you know?
      - That´s Ok. I understand. Better to share the good times, right?, he says offering me a light and another almost full glass of that orange and affable liqueur which – I somehow know- will always taste of longing for a night such as this.