sábado, 30 de marzo de 2019

Present (XXV) Start of the European Tour (Spring 2019)



Gon’ walk on down that dirt road ’til I’m right beside the sun ...




 
I’ll see you around






I’m a-leavin’ tomorrow, but I could leave today
Somewhere down the road someday
The very last thing that I’d want to do
Is to say I’ve been hittin’ some hard travelin’ too
.





domingo, 30 de diciembre de 2018

Present (XXIV) New Year's Early Presents





Things will have changed around Germany
Next time in Prague
And then the fringes of the night by Paris
Before painting your masterpiece in Vienna


From north to south to east across Spain
People can't wait
Pendulums swinging on chains
The music starts and the people sway
Scarlet Town in the month of May


The evening shadows and the stars appear
Circling around in the southern zone
Once upon a time
Handkerchief in the air
A-thinkin’ and a-wond’rin’ all the way down the road


Norway, Finland, Sweden
Sweet end of June
German rivers and mountains
Fires on the moon
Shinin' through the trees
Soon after midnight
When two riders will be approaching London


And finally
The midsummer night's wind
Blowin' in an Irish park

(See you there & in the sky above)


Happy 2019, Dylan!






viernes, 31 de agosto de 2018

Present (XXIII) MUSIC FROM BIG PINK 50TH ANNIVERSARY








    That  time,

               that  space ...
                            .
                           .
                          .
                         .
Thank you, my dear sweet friends . 

sábado, 14 de abril de 2018

Spring Tour 2018 : An Outline in Twenty Frames



Spring Tour 2018 : An Outline in Twenty Frames
(No Rhyme Required)

 
A worried man with a worried mind
Never weak but always strong

 
A thousand telephones that don’t ring
With a neon burnin' bright


                     I know a place where there’s still somethin’ going on



 
As a man who has always had the wand'ring ways
I’m not sorry for nothin’ I’ve done
I been all around the world, boys


The world was sweeter than we knew
My conscience is clear, what about you
Lord knows I’ve paid some dues gettin’ through


                          It’s now or never, more than ever
                          I ain’t dead yet, my bell still rings
                          Between the windows of the sea


I can't go to paradise no more
Look into my heart and you will sort of understand
Tonight I'll use the magic moon to wish upon


Sometimes the silence can be like the thunder
How many ears must one man have ?


Who is that man ?








jueves, 22 de marzo de 2018

Present (XXI) On Tour - Spring 2018











      From Lisbon

     to Verona

                 . . .


   I’ll come followin’ you

   

viernes, 22 de diciembre de 2017

Caravan (18) August in Christmas







     First, it comes in through the window, sort of a breath of wind. You barely notice it until it tousles your hair. That is when you lift your head from the keyboard and see your reflection in the glass, and you stare at yourself and try to draw what looks like a smile. You grab a pencil and gaze at the way your fingers encircle it, and you start turning it around, trying to understand how that wind takes a hold of your inner self. You write scattered words, keys with aerial chords—or that is what you think, perhaps it’s only what you’ll imagine later... Notes from Rick’s bass float from the basement, intertwined with Garth’s newly-created harmonies and Dylan’s laugh. You try to capture everything: that air, the open window, your reflection, and the casual feel of those purposeless sounds, of that joy—you try to bind them to that melody you have been chasing the whole summer... And then, the wind slams the window shut, and it startles you, and the pencil falls down to your feet. When you lift your head up again, you know that all those things will play a part in a song that mentions tears... And you realize that it is already gone.

      Richard tells me so while sitting at the wheel of my caravan, looking out the windshield as if driving through the snow. When I’m about to inquire after that absence, he finishes his story with three sad and short words, an unseasonal farewell he mutters as he lights a cigarette:

       Merry Christmas, Nar.”

      We are in the middle of August, and he smiles at me, as if he knew that we won’t be living at Big Pink when the year is over, because, by then, the miracle of the basement will be over too.